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Sustainable Organic Farm & Educational Centre

Saturday, February 6th, 2010

Front Entry View

Front Entry View

Sustainable Organic Farm

Design description

2009

Purpose

The Farm Buildings have been designed to accommodate a family and staff, as well as occasional guests. It has been designed to provide a working example of a high performance, low embodied energy building which could easily be replicated on a larger or smaller scale.

Cross-section at Round Centre

Cross-section at Round Centre

Side Elevation

Side Elevation

Design

Main House

Access to the houses is from the Northern corner of the land. A road lined with native new-plant woodland & fruit trees leads south from the bottom of Albert Street and then curves east, along the top most west/east ridge to a crossroads centered within a large residential garden & pond. An west/east foot path track provides access to the house buildings as well as the east plots.

The house has been designed on an east-west axis to maximize passive solar gain. The house is a timber-framed or recycled steel building with a sedum/ herb roof.

Barn

The Barn is located near the house on the top ridge, central to the land, and is constructed mainly of timber and strawbale infill.

Educational Learning Centre/Storage Garage

The Centre/Garage is located in the northwest quadrant and is constructed mainly of timber and hemp/strawbale infill.

Services

There are water, sewage & electrical services accessible at the entry to the site, at the bottom of Albert Street. These services will be utilized as needed on the site.

Electricity

Electricity will mainly be supplied to the buildings from onsite solar panels, wind turbines & possibly micro-hydro from the nearby Beaver River.

Residential town hydro access to the site may be initially utilized to supplement this supply as well as selling back power to the town through this source.

Ground Floor Plan

Ground Floor Plan

Materials

The structure is either a roundwood timber-frame or recycled steel structure using local timber from the Site and/or nearby properties. The external walls of the dwellings are hemp/strawbale on a stabilized earthbag stem wall or concrete mix foundation. The floor is of FSC wood or rammed earth that will provide a large thermal mass which will serve to regulate the internal temperature conditions. The loading on the roof will be carried by trussed rafters or recycled steel. The roof will be insulated using a combination of solid and loose hemp fibre or blown cellulose insulation.

Materials are dependant on approval by Ontario Building Code regulations.

Farm Buildings Construction

Design

The House has been designed using a modular scheme which allows for a high degree of flexibility in the design of the individual dome units whilst specifying a common approach to the construction. The intention is to create a design that can be replicated easily and that is simple to construct.

Element

Material

Reason

Role

Source

Foundations

Concrete (Mix with pumice, flyash, lime…..)

Hempcrete

EarthBag

Recycled Masonry

Environment

Environment

Natural

Recycled

Structural

Structural

Structural

Structural

Local/Ontario

Local/Ontario

From site/local

Recycled/Ontario

Floors

Compressed/Rammed Earth

Wood

Adobe Brick

Concrete (Mix…hemp)

Natural

Natural

Natural

Finish

Finish

Finish

Insulative

From site/local

From site/local

Local

Local/Ontario

Walls

Timber, wood frame

Recycled Steel

Earth Bag

Strawbale

Plaster – Earth, lime

Rammed Earth

Earth bag

Recycled Denim

Hemp

Sheep wool

Cob

Eco-drywall

Natural

Natural

Recycled

Natural

Natural

Natural

Natural

Natural

Recycled

Natural

Natural

Natural

Structural

Structural

Structural

Skin

Skin

Skin

Skin

Insulation

Insulation

Insulation

Interior

Eco-drywall

Local

Recycled/Ontario

From site/local

Local

Ontario

From site/local

From site/local

USA

UK

Local

From site/local

USA

Windows Skylights

Double Glazing

Solartube

EFT

Recycled

Manufactured

Manufactured

Natural Lighting

Natural Lighting

Natural Lighting

Recycled/Ontario

USA

UK

Roof

Metal geodesic frame

Trussed joists

Plasterboard

Vapour barrier

Hemp Insulation

Green plywood

Wood boarding

Butyl Membrane

Soil [Green Roof]

Sedum/ Herb [Plants]

Recycled

Manufactured

Natural

Manufactured

Natural

Natural

Recycled/Nat.

Manufactured

From Site

From Seed

Structural

Structural

Skin

Membrane

Insulation

Finish

Structural

Membrane

Environmental

Environmental

USA

Ontario

UK

USA

Recycled/Ontario

Local

Local

Element

Material

Reason

Role

Source

Mechanical

Composting Toilets

Radiant Floor Heating

Solar Hot water heating

Wetland grey & blackwater waste management

Rainwater collection

Biomass heating stoves (per room)

Masonry Fireplace

Electrical

Building Biology principles of installation

Biogeometry EMF protection

Low energy/high efficiency bulbs

Candles

Alternative Energy Systems

Geothermal

Solar

Wind

[Micro-hydro]

Construction

The foundations will be made from a concrete mix of possibly hemp/limecrete with high flyash and/or pumice stone as well as possibly using recycled masonry (subject to building regulations approval).

The main structure will either be recycled steel or timber posts which will sit on pad foundations. They will support recycled steel or timber beams which will in turn support the roof. The floor will be insulated with hempcrete and above that will either be rammed earth or FSC wood. The external walls will be straw bale with earth plaster on the inside and lime plaster on the outside. The internal walls & finishes will be earth plaster, cob, eco-drywall with recycled denim, hemp or sheeps wool.

The roof will be supported either with recycled steel or trussed joists. These may be lightweight timber I-section beams made from recycled woodchips or local lumber. A possibility is to construct them on site using local wood from on near the site. This may eliminate the need for a large section timber roof structure. The roof will be insulated with hemp fibre or blown cellulose insulation and boarded with local or FSC wood planks or lined with [plasterboard to provide a fire retardant layer]. An EPDM membrane will provide a waterproof layer for the 70mm deep sedum/ herb roof.

Glazing will be double or triple depending on aspect. Windows and doors will be

either of softwood (FSC), recyled or local hardwood depending on their aspect.

Reversibility

The building is reversible insofar as the site could be restored to its former condition

with relative ease. After dismantling the structure the small masonry elements could

be dug up and removed. The concrete slab would need breaking up and removing

from the site. There would need to be some minor earthworks to return the site to its

previous incline.

Passive Solar Design

The Farm Buildings have been designed to maximize passive solar gain. The southern glazing

will capture the sun’s heat and this will then be stored in the massive floor.

Active Solar Design

The roof of the buildings will also incorporate solar water panels. This will be used to heat water for domestic use during the summer. Solar Water heating is technologically simple and works excellently to heat water in the summer. Water Accumulators will store this solar heat. We plan to be able to harvest all of the building’s hot water needs from the sun for 6 months of the year from the sun.

Ventilation and Infiltration

The buildings will be designed to minimize infiltration. The main entrances will be designed as airlocks.

Ventilation is provided in all of the ‘living’ rooms. In most cases this will take the form of

openable windows and trickle ventilation.

Natural lighting

All of the rooms have been designed to be lit under ordinary daylight conditions. Solartube ceiling lights will be added to supplement lighting into the rear hill side of the rooms as needed. Geodesic skylights will also be utilized in various feature areas.

Space/ Water Heating

The buildings will be designed to be super-insulated and thus require minimum heating. Heating will be provided by means of under-floor, radiant heating. This will be sourced from a large super-insulated water tank.

Heating Fuel

Fuel for heating will be sourced from a variety of different methods. Biomass stoves will be located in rooms with highest uses. A large central masonry fireplace with a significant thermal mass container will be utilized for the main rooms.

Green Living Show Booth 2009

Saturday, May 2nd, 2009
Green Living Show Booth 2009

Green Living Show Booth 2009

We just came back from a fantastic experience at the Green Living Show at the Direct Energy Centre, CNE, Toronto, April 24 – 26, 2009, where I launched our new book, soma earth HOME ENERGETIC BALANCING. As part of this launch, we opened our booth with a special blessing ceremony at 10 am. We created a temporary alter on the reclaimed wood bench in the centre of the booth. We laid sacred cloths with intricate gold patterns from the finest weavers in Bali, laid out in a specific pattern to attract ALL POSSIBILITIES. We began by smudging ourselves with sage and then smudging, clearing the booth of any left over detrimental energies. I then used my sacred shamanic rattle to clear another finer level of energy in the space in a counter-clockwise direction. We stated our specific and personal intentions of what we wanted to attract during the 3 days of the show. Then I rang a sacred bell (also from Bali) to ring with clarity and clear all that is not beneficial from the space along the perimeter. Afterward, we added joyful and playful energies to invite the positive beneficial energies through a special metal chime ball around the perimeter of the booth, now in a clockwise direction.
It was so much fun creating the booth with the Fourth Pig Workers Co-op. Glen and Mick did a great job building the booth with us for 2 full days before the show started. If the Green Living Show were to give out an award for the best, lowest embodied, most sustainable booth – I’m sure we would have won. I made a conscious choice to ‘hand build’ our booth, to emphasize the art and craft of natural building and to showcase how the SOUL of building can come through the design of spaces like this. As we were hand crafting our booth, we were astounded at how many booths were being built in non-sustainable methods. I guess it continues to be a slow growth process to get everything you do on-line with green building, no matter how ‘green’ your product might be.

‘Better than Platinum LEED’s’

Eco-Architect, Ingrid Cryns at Green Living Show Booth 2009

Eco-Architect, Ingrid Cryns at Green Living Show Booth 2009

Our booth at the Green Living Show was made entirely from materials directly from Nature, recycled or re-used. It had the lowest possible embodied energy and is all 100% locally sourced. The logs were hauled by myself and staff from a client’s forest who was felling trees to be made for the Oval Strawbale House.

Hauling logs out of the woods

Hauling logs out of the woods

Natural round wood column detail, lashed with jute rope and supported with hand hewn wood pegs

Natural round wood column detail, lashed with jute rope and supported with hand hewn wood pegs

Round post BASE detail, with natural jute rope

Round post BASE detail, with natural jute rope

The pergola structure was assembled without any nails, lashed with jute rope and supported by pegs. The one large vertical round log post was stripped of bark and painted with ‘O’ VOC paint by soma earth ARCHITECT staff. The infinity loop, figure 8 design, was painted 5 times, going under and over, like a Celtic pattern. The number 5 can mean harmony, balance and divine grace. There are 5 fingers, 5 toes and 5 senses of our bodies to emphasize the ’sensuality’ of handcrafting and adding artistic hand touches to the booth design. And, the number 5 holds the other numbers, 1, 2, 3, 4 within it’s form, containing them and expressing them in it’s ability to remind us to know ourselves as an integration & interaction of all of our essential parts. A reminder that our spaces can be a living container synthesizing an expression of all that we are.

Hand stripping the bark off the logs

Hand stripping the bark off the logs

Painting the natural wood post with 'O' VOC paints

Painting the natural wood post with '0' VOC paints

We had three sample ‘wattle and daub’ walls that were constructed from ½” – 1” diameter saplings or branches from the same clients’ property. The 2 x 4 wood frames where made from wood found in a neighbour’s dumpster. They were doweled together with the occasional re-used nail (bent back into shape with a hammer) to ensure stability. Throughout the show, we had demonstrations by Glen of the Fourth Pig, of ‘daubing’ the wall. Daubing is a term to describe applying natural earth plasters to the stick frame structure of interior partition walls.

Wattle Walls

Wattle Walls

Detail of wattle wall

Detail of wattle wall

Strawbale table support

Strawbale table support

The table top is solid teak and ‘borrowed’ for the show from my dinning room. The original strawbales underneath & supporting the table, were from the Fourth Pig Workers Co-op. All cloth material is 100% cotton, was re-used from previous shows, and painted with ‘O’ VOC paints by myself and staff. The walls were hung with unbleached 100% cotton material, the ceiling had a natural orange die, re-used from a previous trade show, and the floor cloth was painted with a mixture of 3 left over ‘0′ VOC paints in a unique SACRED GEOMETRY pattern of a combination of VESICA PISCES overlapping circles and occasional random spirals throughout and at the beginning of the patterns. The geometry circles were purposely painted as going under and over, like a Celtic pattern to encourage the ‘chi’ or energetic flow into and throughout the space.

Sacred Geometry Floor pattern

Sacred Geometry Floor pattern

...and more Sacred Geometry floor pattern

...more Sacred Geometry floor pattern.....

....more Sacred Geometry Floor pattern

....and more Sacred Geometry patterns

LED light wrapped in seagrass rope

LED light wrapped in seagrass rope

All lighting was LED lighting from IKEA with seagrass rope wrapped tightly around it to add to the Natural effect. The majority of the construction of the booth was by the Fourth Pig Workers Co-op.

The booth was surrounded by six 2′ x 3′ posters displaying our natural building work – all graphic design & layout by Ingrid Cryns. Staff member, Joanne, built a small Strawbale wall model with real straw and earth clay plaster at a 1:20 scale to display at the show.

Strawbale wall model, before plaster applied

Strawbale wall model, before plaster applied

Strawbale wall on booth table with books for sale

Strawbale wall model on top of booth table with various books for sale - Including LAUNCH of soma earth Home Energetic Balancing Book (left) by Ingrid Cryns.

Green Living Show 2009 Booth Construction TEAM:
soma earth ARCHITECT

  • Ingrid Cryns
  • Daniella Lucas
  • Joanne Swisterski
  • Rebecca Logan

Fourth Pig Workers Co-op

  • Glen Byrom
  • Melinda Zytaruk
  • Matthew Adams
  • Mick Paterson
  • James Davis
  • Shannon Muegge (+ 2 Friends assisted in constructing the wattle wall)

Craving stillness in building my SOUL

Saturday, November 22nd, 2008
lotus

lotus

We now have to learn to invite the silence, and having invited it we now have to learn to enter it.”

- Robert Sarello

I have been noticing lately at how hard it is to hold a good, steady focus and how ‘busy’ things always seem to be.  I have understood this as a response to the creative impulse of my soul.  As I have truly followed my passion and trusted that what was calling me to create that which gives me the greatest joy, I have found many challenges as well as inspiring moments along this path of building my own SOUL.

It’s one thing to create your passion and unblock what may be holding you back from receiving ABUNDANCE on all levels.  I have spent years clearing my past emotional history, to change my patterns and re-organize and re-frame how I view reality and my expectations.  I have learned how to let go of the past and to manage and hold a clearer intention of what I want in the future. To imagine what before seemed the impossible and to dream bigger than I could even imagine.  I have learned how to listen to those minute wobbles of non-clarity within myself and to do what may need to be done to change myself, attune myself differently to get what I think I might want (sometimes you learn it’s not really want you want, so I’m much more careful when I do wish for something!) .  And then it’s quite another thing to be in the FLOW and to manage the SURGES of how my spiritual, sexual, creative impulse goes out into the world and then actually experience the world responding back to me with an even bigger YES!

Then there is so much to do that I often find myself running around, driving too fast on errands, letting papers pile up on my desk, trying to manage all the parts of what I’ve started, but feeling like I can never really catch up!  I’m learning how to delegate more now and to trust the flow and let things be a little messier or uneven.   I’m noticing how my breathing goes higher up in my chest and how my stomach goes tight in anxiety to keep it all together.  My work can be so, so, busy, full, demanding and overwhelming at times.  I feel this constant pressure and feel like I am always rushing from one thing to the next.  In the evenings I just can’t think and when I don’t take down time to do absolutely nothing on the weekends to balance it, I feel it during the week.

I find that when I can relax into this and let go a bit, trusting my intuition more, magic & synchronicity starts to happen.  A kind of effortless lightness begins to be cultivated and things begin to get accomplished quicker in unusual ways that my chronological, left brain never considered as a possibility before.

What I’ve learned is that whenever I feel this ‘rush’ kind of feeling, I have to slow down, get more grounded and centered and then should triple check the minute details of what I’m doing.  I find when I’m in the ‘rushing’ space, details get lost and I make mistakes.  I used to do that when I wrote tests as I child.  I could write them fast, but I often didn’t double check the test and made silly mistakes only because of my speed.  The thing is that when you are in it, it usually is hard to know that you are not grounded as you normally are.  It’s more in retrospect that you find this out, after you’ve made an error or crossed a line and felt afterwards that something doesn’t feel right.

I’ve also heard from a number of other sources that it is continuously harder for us to feel grounded or centred on a daily basis due to the fact that the earth’s electromagnetic fields are weakening because of EMF (Electromagnetic frequency) toxicity and I am aware too that the North/South pole is slowly also shifting on it’s axis, which affects our equilibrium.

And I’ve also heard that TIME is doing weird things and actually speeding up – we don’t see that on the clock or how time is recorded, but the feeling is there and has also been commented on by various friends to me. It feels like time is compressed and events appear to rush by, the day goes faster and faster.  To stop and just breathe, taking in someone’s kind comment, eye contact for a minute or noticing a beautiful thing outside in nature, all helps to slow it all down.

All of this means that we have to constantly ‘recalibrate’ ourselves daily and do things to slow us down more and more to be able to catch those details and also be gentle on ourselves when we make mistakes (my reminder as I am still hard on myself for doing that).

I find myself craving downtime to balance the business of the majority of my days.  I often will watch a movie, to help shut off the thinking of my huge to do list.  But what I’m actually really craving is to touch into the space of SILENCE.  Everything else is a temporary band aid solution that only comforts for a bit, manages me temporarily.  Finding the time and focus to drop into SILENCE is what will be able to hold me in such a way that nothing else will satisfy.

Just like we build spaces and buildings around us to shelter, protect our physical bodies, we can also cultivate inner spaces that can nourish us, inspire us, re-charge us.  It takes attention, self-reflection, spiritual warrier work to be able to sit still and hear your fears, face your aloneness (or all-one-ness), learn how to slow it all down and come back to the centre, the hub rather than running around like a goose with it’s head cut off, running around the periphery of the wheel, of yourself.  This hanging out on the periphery of who you truly are in your SOUL, keeps your energy on the edge, loosing bits, scattering yourself in a kind of constant, high anxiety,  panic.

Hub and spokes wheel

My gentle suggestion for all of you is to find out what you need to do to come back to your centre and to learn how to cultivate your inner silence and then practice, nourish, grow it as much as you can.  It is a practice and I’m still only a beginner…….I hear my SOUL calling me deeper into my interior……gtg…

“Drawing attention to the heart focuses the mystery we are entering. As both physical organ and spiritual-imaginative center, it is the only true organ for perceiving Silence. Once activated in the heart, Silence spreads throughout the body, and we feel as if our entire physiology alters. Instead of perceiving things held apart from other things in sharp and heavy outline, as is usual, we enter into a feeling-perception of the interior space around us that gives birth to all things. Artists have an intuition of this kind of interior in working with negative space. But the space of Silence is something more than that because it is not merely the void from which things spring up; it is a living presence. The deeper we enter into Silence the more we become aware that this living presence is primary and the contents of our perceiving are the secondary bursting forth of this original presence. For a moment we are dizzied beyond belief. If only we had the courage to ward off the dizziness and stay in its presence, who knows where we would be taken. Instead, we recover our usual sensing and, at most, feel the continued resonance of the Silence.”

Robert Sardello

Inner Silence

Inner Silence

A Project on the boards

Saturday, October 11th, 2008
Earth Organic Farms Landscape

Earth Organic Farms Landscape

With an extraordinarily busy summer, lots of canoe trips & so much wonderful work, I haven’t had a chance to catch my breath and post into our new BLOG.

We are currently working on an exciting large project in our office; Earth Organic Farms is a 65 acre Organic Permaculture Farm & Sustainable Learning Centre, located in Cannington, Ontario, 1.25 hours north east of Toronto. Similar in principles to Everdale Organic Farm, it will be built all out of natural building materials such as strawbale, wood, earth, etc.  with renewable alternative energy systems (solar, wind, geothermal, etc.).  We are very excited to also include unique sacred geometry design features as well as a high emphasis on non-toxic, healthy materials and building systems.  We expect construction to start in the spring of 2009 and are looking for natural builders & sub-trades who would be interested in working with us to create this magical project.